Mary had been searching in the pockets of his cloak. She had found a paper bag. “You mustn’t get excited,” she said, laying her little work-worn hand upon his shoulder; “or you’ll bring on the bleeding.” “I’m just running round to the doctor’s,” she whispered. “His medicine hasn’t come. I shan’t be long.”!

Firstly there was the great event of going to school. She was glad to get away from home, a massive, stiffly furnished house in a wealthy suburb of Liverpool. Her mother, since she could remember, had been an invalid, rarely leaving her bedroom till the afternoon. Her father, the owner of large engineering works, she only saw, as a rule, at dinner-time, when she would come down to dessert. It had been different when she was very young, before her mother had been taken ill. Then she had been more with them both. She had dim recollections of her father playing with her, pretending to be a bear and growling at her from behind the sofa. And then he would seize and hug her and they would both laugh, while he tossed her into the air and caught her. He had looked so big and handsome. All through her childhood there had been the desire to recreate those days, to spring into the air and catch her arms about his neck. She could have loved him dearly if he had only let her. Once, seeking explanation, she had opened her heart a little to Mrs. Munday. It was disappointment, Mrs. Munday thought, that she had not been a boy; and with that Joan had to content herself. Maybe also her mother’s illness had helped to sadden him. Or perhaps it was mere temperament, as she argued to herself later, for which they were both responsible. Those little tricks of coaxing, of tenderness, of wilfulness, by means of which other girls wriggled their way so successfully into a warm nest of cosy affection: she had never been able to employ them. Beneath her self-confidence was a shyness, an immovable reserve that had always prevented her from expressing her emotions. She had inherited it, doubtless enough, from him. Perhaps one day, between them, they would break down the barrier, the strength of which seemed to lie in its very flimsiness, its impalpability. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.

The girl shrugged her shoulders. “Who was there for me to marry?” she answered. “The men who wanted me: clerks, young tradesmen, down at home—I wasn’t taking any of that lot. And the men I might have fancied were all of them too poor. There was one student. He’s got on since. Easy enough for him to talk about waiting. Meanwhile. Well, it’s like somebody suggesting dinner to you the day after to-morrow. All right enough, if you’re not troubled with an appetite.” “I may,” answered Joan. “Just to spank it, and put it down again. I’m rather a believer in temptation—the struggle for existence. I only want to make it a finer existence, more worth the struggle, in which the best man shall rise to the top. Your ‘universal security’—that will be the last act of the human drama, the cue for ringing down the curtain.” It welcomed her, as always, with its smile of cosy neatness. The spotless curtains that were Mary’s pride: the gay flowers in the window, to which she had given children’s names: the few poor pieces of furniture, polished with much loving labour: the shining grate: the foolish china dogs and the little china house between them on the mantelpiece. The fire was burning brightly, and the kettle was singing on the hob.